Is the plane a symbol of modernity and freedom, or rather catastrophes, assassinations and deep political divisions? In the Polish pavilion at the 58th Venice Biennale, the artist Roman Stańczak literally turns the luxury jet over to the other side, looking for a universal gesture. Registration of the creative process is the starting point for a story about the dramatic fate of the artist who, after many years of life exclusion and non-existence in the world of art, returned to activity, almost immediately realizing the sculpture on the most important artistic event in the world.
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